![]() ![]() Pair it with the Model-102 synthesizer expander, however, and the possibilities really expand. With its keyboard and conventional architecture of single oscillator, filter, and VCA, plus LFO, it makes a formidable instrument on its own. Featuring a single-oscillator, it’s capable of producing sawtooth, triangle, square, and pulse width waveforms, as well as noise. ![]() Elements could be purchased separately as need be, or all at once for the complete studio experience.Īt the centre of the System 100 was the Model-101 analogue synthesizer. Originally released in 1975, the System 100 was designed to be an all-in-one solution for the electronic musician. And, thanks to its horizontal orientation (as opposed to the vertical largely favoured by more conventional modular systems) it remains a unique synthesizer system to this day. With its grey and black colour scheme and silver sliders and knobs, it wouldn’t look out of place on the Millennium Falcon. ![]() Resembling a spaceship cockpit as much as a musical instrument, Roland’s System 100 is the stuff that analogue synthesizer dreams are made of. In our latest Hardware Focus, we take a look at Roland’s 1975 semi-modular behemoth, the System 100. ![]()
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